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  • And so it was, at about 4.00 pm, I headed for the West Coast of Anglesey, as usual, to catch the dipping sun. I turned up at one of my favourite spots and ambled, totally arbitrarily along the shoreline, enjoying the water, the sounds, the heat and colours of the warm sun and the glistening rocks emerging from the receding tide. Funnily enough, the stark sunshine, at this time of day, at least creates strong shadows, long shadows and sparkling sea tops. As it sank lower the colours intensified further and amazing hues resulted, almost, but not quite unbelievable.
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  • And so it was, at about 4.00 pm, I headed for the West Coast of Anglesey, as usual, to catch the dipping sun. I turned up at one of my favourite spots and ambled, totally arbitrarily along the shoreline, enjoying the water, the sounds, the heat and colours of the warm sun and the glistening rocks emerging from the receding tide. Funnily enough, the stark sunshine, at this time of day, at least creates strong shadows, long shadows and sparkling sea tops. As it sank lower the colours intensified further and amazing hues resulted, almost, but not quite unbelievable.
    GD000893.jpg
  • And so it was, at about 4.00 pm, I headed for the West Coast of Anglesey, as usual, to catch the dipping sun. I turned up at one of my favourite spots and ambled, totally arbitrarily along the shoreline, enjoying the water, the sounds, the heat and colours of the warm sun and the glistening rocks emerging from the receding tide. Funnily enough, the stark sunshine, at this time of day, at least creates strong shadows, long shadows and sparkling sea tops. As it sank lower the colours intensified further and amazing hues resulted, almost, but not quite unbelievable.
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  • Colourful sunset reflected on wet beach, pools and the sea itself, at the coast at Rhosneigr, West Anglesey, Wales
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  • Colourful sunset reflected on wet beach, pools and the sea itself, at the coast at Rhosneigr, West Anglesey, Wales
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  • Colourful sunset reflected on wet beach, pools and the sea itself, at the coast at Rhosneigr, West Anglesey, Wales
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  • Colourful sunset reflected on wet beach, pools and the sea itself, at the coast at Rhosneigr, West Anglesey, Wales
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  • An ebb tide reveals multi-coloured pillow-lava at Llanddwyn on West Anglesey. Many people have asked if the colours have been retouched in the computer, which they are not.When you are on a beach most pebbles look rather drab, but wet them in the water and they reveal rich vibrant colours. Imagine this on a bigger scale, where a whole reef of mineral rich rock becomes wet from the sea, and you’ll then understand why there was no need to use software to embelish this image
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  • A delicate light over a warm and sunny Beaumaris. One of those afternoons where you really didn't need to get back home.
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  • International Color Awards 2016 - Nominee in "Nature" category<br />
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Large rockpools in the reef at Rhosneigr at sunset, West Anglesey, Wales.
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  • A Monday evening. I'd gone out to catch some surf but it was seriously blown out in some very heavy gales and was just mush, so I took some shots instead :-) The very low evening sunlight was blitzing the coast with an amazing intensity, as powerful in it's own way as the pounding waves. Where the waves were smashing over this set of rocks the plumes of spray were being backlit turning them a rich orange/gold. However, as you can see from the foreground I was basically IN the sea, with no tripod so for the first time in my memory, I have deliberately cropped the original a little to show just the bits I wanted. Theoretically it would have been easier for me to change lens but the sea spray was so intense that I didn't fancy a £5K sensor covered in salt water - so there you go, probably my first ever forced crop! :-((((
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  • Waves pushing shorewards from the Irish Sea, at Rhosneigr, West Anglesey, at sunset with rich colors in the sky and splashes of water and movement of tide
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  • Large rockpools in the reef at Rhosneigr at sunset, West Anglesey, Wales.
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  • As a village, and cove, I can romanticise about this place. It feels Cornish, and its strong links with the sea, fishing boats, pilot gigs, lifeboats and shipwrecks (of which a recent one lies just around the corner) all help to re-enforce this romantacism. However, although swamped by visitors in the summer, and now largely dominated by holiday homes, this place is still actively involved with all these activities and for me therefore, Sennen will always be what I've loved best about the life and culture of Cornwall.
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  • My first visit to this modern day shipwreck. I was delighted that I could get so close to this wreck and being alongside amongst giant granite boulders strewn with twisted metal and hull plates made me very aware of how powerful the sea really is. There was the constant creaking of metal from the sea adge as waves lifted and dropped sections of twisted metal as large as four men head to toe. It was actually a little eerie in this zawn of a dead ship surrounded by towering granite cliffs of Land's End.
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  • You have to visit St Ives just to witness the absolute clarity of the water beneath you. There are so many viewpoints where you can just stand and stare into the deep waters below and still make out the bottom. I've seen dolphins somersaulting just off the quay and seals regularly swim with the kids in the harbour, which from above looks just like an aquarium! I have always been fascinated by flotation and I love the way the boat on the surface aids our perception of the depth beneath.
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  • These huge, gorgeous granite boulders have been formed over years of pounding and smashing by the Atlantic waves. Though some are half the length of a grown man's body, these boulders are like toy marbles in the grip of Sennens biggest storm waves. Even the solid granite breakwater has been worn smoother over history due to the attrition by the sea's load.
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  • Cornwall, mid February. The weather had been stunning all week but the sea was still throwing some massive waves at the coast. Even in the relative shelter of the cove itself, huge granite boulders await further attrition from the advancing Atlantic swell.
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  • Even as little kids, we would walk the two miles or so from our home on Penmere Hill to this spectacular and popular rocky point of Pendennis Head, just below the famous Henry Eighth Castle. Just below the car park where the ice cream vans prey, there are steep rocks which lead down to very deep gullies. At low tide some of the biggest are exposed and you can look down into deep bottomless chasms of seawater where you can often see huge fish below you. The swell could suddenly raise the water level to swamp your feet and although it used to scare us as kids, it was totally compelling!
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  • This spot is so well known to both locals and visitors due to the enormous figurehead staring blandly up the narrow steps to the street above. She both intimidates and intrigues. The Bosuns Locker itself is a long established chandlers and Penrose Sailmakers just opposite have been going since the 1825! With the docks just beyond, this is classic Falmouth living history.
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  • At the end of the day, when the crowds have gone, it is easier to imagine how old this place is. Long before the fishing nets, round house and life-boats, these sands and granite cliffs witnessed the dramatic beauty of the ever changing skies and seas. Everything else is just so temporary, so I like the imagination this place stimulates.
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  • Even as little kids, we would walk the two miles or so from our home on Penmere Hill to this spectacular and popular rocky point of Pendennis Head, just below the famous Henry Eighth Castle. To us, the little fortified blockhouse was a castle in it's own right, and although signs have now been erected to prohibit climbing, we would always be finding new ways of getting onto the ramparts. This was pure magic, and this often stormy point still provides a Sunday viewpoint for hundreds of Falmouth locals.
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  • A large tidal pool is left on this sandy beach at Rhosneigr, West Anglesey, Wales, draining into the sea on a windless day as the sun sets in a cloudless sky.
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  • Snip from blog: "As the light dropped even lower, and I realised my new Petzl head-torch might be used for real for the first time, low level contrasts and longish exposures actually ignited some interest in me, and I even had fun deliberately using my head-torch light on the dark foreground waters. This light was my mark - my signature that I was there, fighting to show my existence in an advancing nothingness. I saw this as a metaphor, in that sometimes there is a necessity to make one's light shine, no matter how incongruous, in the never-ending global story of repetition, emulation and predictability :-)"
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  • Ever since a kid I have loved Cape Cornwall and the vast sense of space you experience from the hill-top. Waves that would swamp a small fishing boat seem relatively harmless from this height but the fact they have traveled hundreds of miles of ocean is still quite intimidating.
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  • The superb rounded boulders created over thousands of years rolling around in this cove, were strangely and easily covered by shifting levels of grey sand. The gentle river tumbling down from the Cot Valley carved it's own niche, exposing once again the beautiful granite eggs.
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  • This was the second visit to this wreck in about a year. Since the first visit the hull had broken up substantially and many of the huge metal hull plates had simply been washed off-shore. The bow of the boat that originally looked like part of a ship has now become so twisted and rusty that the ribs and structures of the wreck were blending almost seamlesly into the huge granite cliffs of Land's End itself. Even something as huge as a bulk carrier is soon reduced to a more original state of existence!
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  • We had just arrived in Cornwall, mid February, and it was an early morning stroll along the front. Although you couldn't tell from the cove itself, there was a huge swell running and on the incoming tide the quay took a sunlit battering. It was so good to be back in West Penwith!
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  • Waves pushing shorewards from the Irish Sea, at Rhosneigr, West Anglesey, at sunset with rich colors in the sky and splashes of water and movement of tide
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  • Amazed by the stunning lines and curves of this wave smoothed gorge in the rocks. The hardness of the granite rock was amazingly smoothed into organic sensual curves by the power of the ocean swells.
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  • This is a huge area of industrially scarred landscape. This area has been mined for 4000 years, not 400 but 4000 years! It was once Britain's largest exporter for the precious metal Copper and was known as the copper kingdom. Hundreds of tall ships used nearby Amlwch Harbour to export the material. Now it is unused, though the quality of this ore is outstanding.
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  • Winner - Honourable Mention in 10th (2017) International Colour Awards (Architecture category)<br />
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Multiple bay windows in the main street of Valletta, Malta.
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  • Mind blowing colours threaded through thousands of acres of high mountains as we move North in New Mexico. The heat haze is still apparent in all these distant pictures but in a way does show the high 30º temperatures we’re experiencing in this desert landscape.
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  • The rocks down on the quiet shoreline seemed dark from afar, am isolated hard reef doing it’s best to resist erosion against the Irish Sea. <br />
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Down in amongst them though, they became rich in character and colour. Every peak an unique individual, with different faces and textures and shapes. As I nestled into them they become my security. Small waves would belie their gentle appearance and would suddenly burst over the lower stoney barriers. As the tide advanced each wave reached further and faster up my legs. <br />
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I enjoyed the small acts being played out in different sectors of the image. Little cameos, small and larger characters, but together creating an amazing stage set.
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  • The apparent calm belies real danger in this narrow stretch of water. The multi coloured pebbles and stones have been brought down from nearby mountain ranges by glaciers, and are contstantly swept back and forth by vicious tidal currents in this lonely area. The gentleness of Abermenai point is very deceptive when you consider the number of ships and boats that have been tided in these dangerous currents and wrecked on sand bars in very shallow waters.
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  • The architecture of this town has a very colonial influence. First mapped by the Portuguese, in 1883 Germany aristocrat Adolf Lüderitz purchased some of the original harbour area and surrounding land and developed the town as a fishing and trading post. In 1909 diamonds were found in nearby Kolmanskop and Lüderitz gained rapid prosperity. Since then however diamonds have mostly been found elsewhere and so the town went into decline. It’s still an incredible place to visit as so little of the town has changed at all since the early twentieth century.
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  • These incredible rock formations have been formed over millions of years and comprise layers from deltas, lake beds, sand dunes and coastal deposits. The colours from these different epochs are clearly seen in the banded strata stretching for mile after mile here above the Chaco Basin in New Mexico. <br />
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Some of the bands, especially from the sand dune age are very soft and crumbly giving rise (or fall) to collapse of the layers above creating some crazy rock formations.
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  • A long shot of Moel Wnion after sunset, taken from Anglesey. I’ve always been fascinated by the wonderful rounded profile of this mountain, and in this soft, subdued colourful light, the scene looked like a geometric painting.
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  • Nominated in 10th (2017) International Colour Awards (Nature category) <br />
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This small sound of water at Penmon can be treacherous as a huge volume of tide pulls around this point at each turn of the tide and there is a relatively shallow rocky chanel beneath. The present Penmon lighthouse at 29m tall was erected between 1835 and 1838. It was converted to solar power in 1996 and it's 15,000 candela light can be seen 12 nautical miles away. It also has a fog bell which sounds every thirty seconds.
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  • My shadow is included to give some sense of scale to this huge area of industrially scarred landscape. This area has been mined for 4000 years, not 400 but 4000 years! It was once Britain's largest exporter for the precious metal Copper and was known as the copper kingdom. Hundreds of tall ships used nearby Amlwch Harbour to export the material. Now it is unused, though the quality of this ore is outstanding.
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  • Sunset over textured and patterened wet sand at Llanddwyn Beach, West Anglesey, Irish Sea,
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  • Lush Spring flowers grow amongst fresh new grass on the tiny island supporting the small church of Eglwys Cwyfan, near Aberffraw, Anglesey, North Wales. Services are still held in this church but are tide dependent.
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  • One of a series of images from my project on doors and windows of the world.
    Shutters in Shadows
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  • Our ancestors were collecting copper here 4000 years ago and below the surface there are huge caverns and miles of passageways hewn away by men with pick axes. The quarry saw it's most prolific excavation in the eighteenth century when the export of copper made this area very rich, The nearby port of Amlwch Harbour flourished as world demand for this fine grade copper increased. It was why the area became known as the Copper Kingdom.
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  • The cool morning fog had rolled in across the bay from the cold Atlantic currents and there was a chill in the air. The sea temperature was just 15º and although crystal clear azure water, it was only the brave few who ventured in. I’d be much happier being a Southern Right Whale in that ocean! <br />
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Slowly the fog cleared and we ate lunch in scorching sunshine in a nearby cafe. One of many extremes in this fascinating country.
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  • One of a series of images from my project on doors and windows of the world.
    Yellow Window
  • One of a series of images from my project on doors and windows of the world.
    Orange Trees
  • Shutters in Shadows
    The Climber
  • The oldest part of the city of Albuquerque in New Mexico, founded here in 1706 by Spanish colonists. Lots of low, single story ‘adobe’ buildings create a very strong architectural character to the place. <br />
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The only thing that disappointed me was that almost every building is now a gift shop, and very touristy indeed. It’s hard to imagine what it was like in the old days with all that modern gifty stuff!
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  • One of a series of images from my project on doors and windows of the world.
    Window in Circles
  • One of a series of images from my project on doors and windows of the world.
    The Italian Connection
  • One of a series of images from my project on doors and windows of the world.
    No. 33
  • A Jon Boat for hunting & fishing - seen in Marsaxlokk Harbour, Malta
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  • Sunset over textured and patterened wet sand at Llanddwyn Beach, West Anglesey, Irish Sea,
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  • Sunset over textured and patterened wet sand at Llanddwyn Beach, West Anglesey, Irish Sea,
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  • One of a series of images from my project on doors and windows of the world.
    Framed in Blue
  • Nominated in 10th (2017) International Colour Awards (Fine Art category) <br />
<br />
Caught in squally weather, bitterly cold, blown about like a leaf in the wind, at the mercy of the elements and the huge expanse of the open sea - no, not a lonely sailing boat but me, clinging to the cliffs to try and get a shot at that magical moment, when man made and ambient light balance, that perfect window of opportunity which lasts just minutes. I love the softness of colours and contrasts in the gale driven sky behind, and the hint of comfort from the haunted lighthouse. I thought this was a joke until tonight, when as I was taking my last frame something pushed past me, really squeezing past my thigh. I honestly thought it was a dog but there was nothing there. Quite spooked.<br />
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South Stack lighthouse, Holy Island, Anglesey, Ynys Môn. c1809 - Electrified in 1938 - Automated in 1984. 440 steps lead from the 200ft cliff top down to the bridge across the gorge below. We can also see here the RSPB Bird watching tower called Ellin's Tower.
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  • I was actually really excited by the subtle delicacy of it all, really ethereal and slightly surreal. I therefore left this one in colour as the muted shifts of almost desaturated colours present an honesty about the transformation of everyday vistas through simple elemental conditions.
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  • I arrived at the beach in pouring rain but decided to head out anyway, brolly in hand. Thankfully the rain stopped suddenly and large breaks appeared in the huge blankets of grey cloud. The low sun painted colour onto the clouds behind me and I felt uplifted by brighter conditions. And then the first drops of rain fixed themselves to my lens and within less than a minute the heavens opened once again. I sheltered under the brolly for a short while, revelling in the elements around me before battling a squall back to the van.
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  • Nominated in 10th (2017) International Colour Awards (Fine Art category) <br />
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RNLB Lilly & Vincent Anthony <br />
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Trent Class Lifeboat on temporary loan to Holyhead Lifeboat station<br />
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One of a series of images from my RNLI working project over the next year or so with Holyhead Lifeboat Station and Crew.
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  • White Beach, Eastern Anglesey
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  • Nominated in 10th (2017) International Colour Awards (Fine Art category) <br />
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Field drainage water pours out through a water channel into the Irish Sea here at Porth Cwyfan. The 13th Century, Eglwys Cwyfan (St Cwyfan's Church), not far from the small village of Aberffraw on Anglesey's West coast, at one time stood on the mainland coast but over the years, the sea has eroded the surrounding land leaving it stranded on it's own little island. Services are still occasionally held here but times are tide dependent.
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  • One of 3 winning entries in the 29th SUN (Shot up North) Awards for full time professional photographers<br />
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Winner - Honourable Mention in 10th (2017) International Colour Awards (Wildlife category)<br />
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A colony of Goose Barnacles has grown attached to a disconnected buoy, now washed up on Llanddwyn Beach, West Anglesey.
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  • Nominated in 10th (2017) International Colour Awards (Nature category)<br />
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A small cargo ship passes by Longships Lighthouse just off the coast at Land’s End, SW Cornwall during an amazing and dramatic sunset. No filters, just incredible colour saturated light from the sun burning through layers of cloud and vapour.
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  • Shot whilst I was being filmed for the ITV Series “The Strait” in which I am one of the featured characters. We had been up in the Welsh mountains beforehand, hoping to get some views from the summits back across Anglesey. We raced down to the Foryd Estuary on the Menai Strait just as the sun was setting. The wind was fierce and bitter, and I have allowed the file colour to remain blue rather than correcting everything, as I prefer the colour symbolism of the blue tones. It looks like the conditions that I felt at the time.
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  • After a demanding, muddy 7 mile walk along the Cornish coast in mid winter, we finally arrived at our destination of Pra Sands on the South coast of Cornwall. Although dark clouds still encompassed us, a dramatic break in the cover allowed an evening sunset to burst through, turning the world shades of pink and purple. <br />
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By the time we had walked the length of the beach to our van the evening had lost all of it’s colour and the rain arrived.
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  • The massif of Snowdon tries to hold back an enormous fog bank from the Irish Sea, but clouds and fog spilled over nevertheless. Through short breaks in the fog, brilliant sunlight blasted the quarries on the mountainside opposite, separating and dividing the landscape into multiple layers of tone, colour and shadow. In a manmade industrial landscape like this, the whole scene looked more like something from a Hollywood film set.
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  • Approaching weather front over the southern volcanic peaks of Lanzarote seen from the Montaña Roja crater in Playa Blanca. The stones were covered in Lichens giving them a white/green colour against the red earth below.
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  • From a shoot with the BBC's Weatherman Walking Series with Derek Brockway...I had just finished the last interview, where I relate one of the legends of Nant Gwrtheyrn to Derek, and they then headed off for Porth Dinllaen but I stayed back a while until almost dark, when I shot this dusk image over the Irish Sea. This is a straight shot, no colour adjustments, and a tweak to the contrast. It was stunning, after a very surreal day of swirling hill fog on the top of Tre'r Ceiri and Garn Ganol.
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  • The massif of Snowdon tries to hold back an enormous fog bank from the Irish Sea, but clouds and fog spilled over nevertheless. Through short breaks in the fog, brilliant sunlight blasted the quarries on the mountainside opposite, separating and dividing the landscape into multiple layers of tone, colour and shadow. In a manmade industrial landscape like this, the whole scene looked more like something from a Hollywood film set.
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  • This image is from another day trialling the Sony A7R2 with 16-35mm lens. This time I was shooting from the high cliffs of North Anglesey, during an intense sunlit afternoon.  <br />
<br />
Mega impressed with the sharpness and contrast and level of detail. I am also impressed at the minimal flare both with and without filters in front of the lens. <br />
<br />
Less impressed by the canned camera profiles supplied, which when pulled down in ACR are either dull, too high in contrast or too saturated. <br />
<br />
The canned profiles for the Fuji were so damned close to the real scene, and looked acceptable on both the EVF and on the profiled Eizo back at base. <br />
<br />
I’ve been given some custom camera profiles from a fellow pro but they are not being recognised from the library folder I’m placing them in. I’ve heard from a few pros now that Sony colour profiles are just not what they could be.  I’m happy to hear from Sony users who have resolved this issue. <br />
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I have to spend quite a time making adjustments now in Camera Raw AND PhotoShop to get back to what I saw in real life.
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  • Testing out a Sony A7R2 against the Fuji. The sharpness, detail and separation in darker tones are a marked improvement over the Fuji. However the camera profiles from the Sony and very crude compared with the subtle differences between the Fuji ‘scene’ profiles. There are some slightly strange colour shifts in tonal values using ‘Camera Standard’ in Adobe Camera Raw that I need to get to the bottom of. I’ve only had the camera out for a few hours and this is my first go at processing a Sony file in ACR which is my preferred workflow
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  • I shot this whilst being filmed for the ITV series “The Strait” (being broadcast Autumn 2017).<br />
<br />
I have never been in such strong winds, which according to the weather forecast were up to 75mph. The three of us involved in the filming were being blown sideways and it was hard to breath or walk let alone climb the mountain.<br />
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I had to put all my weight onto my Manfrotto tripod just to keep it from blowing over. I used fast shutter speeds, even on the tripod.<br />
<br />
The night before, these mountains were all snow-covered, but overnight the snow had almost completely disappeared. Surprisingly, even in a gale-force Easterly wind, the temperature had increased.<br />
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I loved the variation in light and colour across Snowdon and its foothills.
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  • Nominated in 10th (2017) International Colour Awards (Advertising category) <br />
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SUN28 Shot Up North Awards winning entry (2016)<br />
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A commissioned shoot for Villa Oleanders naturist villa in Portugal. I photographed just 4 people several times in different scenarios and then pieced a selection of them together in PhotoShop to create a semi humorous montage for publicity purposes.
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  • International Colour Awards 2015 - Honourable Mention in "Nudes" category<br />
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Life and death are intrinsically linked. The woman lies at the entrance to a womb and a tomb. The gigantic boulder moves in this tiny cove, sometimes blocking the tomb entrance and other times completely exposing Mother Earth. Her delicate figure may just have been born of the bleeding land, or maybe is ready for the next journey, awaiting the hand that will lift her lifeless form and free her spirit.
    On The Third Day
  • Nominated in 10th (2017) International Colour Awards (Architecture category) <br />
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Now disused by the #RNLI the old Lizard Lifeboat House still stands, now houses the gear of the Lizard fishermen. It is gradually looking more dilapidated each time I visit but it will always stand as a reminder to me, at Britain’s most Southerly point, of a place from which the bravest men risked their lives to save the lives of hundreds and hundreds of floundering souls at this notorious peninsula. <br />
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To me, the red is not just the gunwale of a boat, but blood, an artery - a lifeline for the sailors against the darkness of their situation.
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  • Winning entry in the 2019 (31st) SUN Shot up North Awards<br />
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Nominated in 10th (2017) International Colour Awards (Architecture category)
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  • Showery weather forms dramatic skies and reflections at sunset on the wet sands of Porth Tyn Tywyn,  Rhosneigr, West Anglesey.
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  • Winner - Honourable Mention in 10th (2017) International Colour Awards (Nature category) <br />
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The huge & imposing massif of Yr Wyddfa (Snowdon) Wales' highest mountain. This was taken following a last minute decision to slog up Mynydd Mawr under inclement weather but it resulted in just the most fantastic hour of weather-watching from it's summit. I was utterly gripped by the continual theatrical change of light being played out across the Snowdonia hills. If it were not for my friend feeling frozen I would have braved another hour or so of just sitting and watching.
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  • Yr Wyddfa (Snowdon) - 1,085 m (3,560 ft), the highest mountain in Wales, and the highest point in the British Isles outside Scotland. With a café at it's summit, it's also the highest café in the UK. A railway takes some visitors to the summit.
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  • Nominated in 10th (2017) International Colour Awards (People category)
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  • SUN28 Shot Up North Awards winning entry (2016)<br />
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International Colour Awards 2015 - Nominee in "Nature" category<br />
<br />
“Early morning light passes through choppy Atlantic waves wrapping around me on this steeply shelving beach in South West Cornwall. It gives the impression of being underwater whilst the waves crash above the surface”<br />
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I’ve been back to this beach many times and haven’t been able to shoot anything like it again. I was completely alone on the beach and the sea was choppy and the waves powerful. This is the most amazing naturist beach I’ve ever been to in the world, so as is only right and correct, I was in my birthday suit as I took this!<br />
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I was using a heavy Canon 1DsMk3 and 100-400 mm lens to get this shot, nearly £7K of gear in the Atlantic ocean! What would have looked really crazy from the cliff-top was a little naked Jack-in-the-Box crouching down at the lowest point of a sand-cusp to shoot through huge waves as they rose in front of him, and then him standing up rapidly to keep the camera clear of the back-wash which went ribs-high trying to pull him back out to sea! This was one of my craziest shoots ever, but I am delighted with the result and yes this IS my all time favourite and I have No.1 of 10 hanging in my home.
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  • Nominated in 10th (2017) International Colour Awards (Nature category) <br />
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A huge snow blizzard sweeps over a green Irish Sea towards the tiny hamlet of Nant Gwrtheyrn, once the centre of a busy granite quarrying community on the North coast of the Llyn Peninsula, Wales. This is now a post industrial landscape of abandoned granite quarrying buildings and levels. The hamlet is now a Welsh language and conference centre.<br />
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From my book Nant Gwrtheyrn - Y Swyngyfaredd (The Enchantment)<br />
<br />
This book is available for purchase here on www.glyndavies.com
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  • Nominated in 10th (2017) International Colour Awards (Nature category) <br />
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Deep sunset though stormy weather cloud conditions over the Irish Sea, seen from the slopes of Mynydd Mawr mountain in Snowdonia
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  • Nominated in 10th (2017) International Colour Awards (Nude category) <br />
<br />
“It was dusk and a gentle mist hung in the valleys, illuminated only by the last glimmer of Autumnal daylight. There was delicate moisture in the air and a slight dampness on the short grass surrounding the rock. Rich, earthy smells surrounded me, from the bracken and ancient woodland adjacent to the outcrop. Above the sound of a gurgling brook I could hear a thrush singing somewhere in the distance. Apart from that there was relative silence; no cars, no planes, no groups of chatty ‘ramblers on a mission’, just me in what felt like a lost valley. I was alone and had found perfect solitude. <br />
<br />
I enjoyed the feeling of the cool, almost prickly, sheep-mown grass on the soles of my feet, but the rock was warm having basked during a day of unbroken sunshine under clear blue skies.  Although the rocky outcrop looked smooth from a distance it was rough beneath my skin, making my body feel vulnerable to its sharp surface. I enjoyed the sensation nevertheless, feeling utterly and intimately connected to ‘my’ rock, a rock carved by glaciers millions of years ago, scratched and smoothed by the weight of ice, but today it was just me, an insignificant speck on the planet. Yet the planet means everything to me; I feel it, see it, and hear it. It provides for me, nourishes me and I am a part of it nevertheless. <br />
<br />
As the melody of the Song Thrush drifted away, I lay relaxed, supine, as much of my skin surface in contact with the rock as I could manage, facing the darkening universe above. The rock supported me, it seemed as if the Earth itself was carrying me, a fragile, perishable organic figure, exposed to the air and the elements but wonderfully connected to the land"
    Then Came Autumn
  • Waves wash over the reef at the long sandy Broad Beach, Rhosneigr, Anglesey during changeable and dramatic weather.
    GD001258.jpg
  • Nominated in 9th (2016) International Colour Awards (Nature category)<br />
<br />
The undulating set of hills in the foreground is known as the roller-coaster by locals, the foothills to Wales' highest mountain, Snowdon, the name forming the root of the Snowdonia National Park, though Snowdon's real name is Celtic, Yr Wyddfa, & is the one dear to Welsh people. This hugely popular mountain is mostly deserted and offers perfect solitude as dusk settles upon it, the crowds having left by foot and railway to the warmth of the pubs and guest houses in the town nestling below.
    GD001748.jpg
  • Nominated in 10th (2017) International Colour Awards (Fine Art category) <br />
<br />
Jubilee Pool is an Art Deco lido on the Penzance promenade. Today was the last day open to swimmers before closure for winter. The sun sparkled on the water but a cool breeze blew in from the West, ruffling the pool surface and bringing with it grey threatening clouds. It’s always sad for me, the end of Summer.
    GD002105.jpg
  • Over time, a buried building emerges from the ash of the 1957 Capelhinos Volcano, Azores, revealing everything from it's structure to it's decor. An explosion of lush succulent plants now pours out of the smashed interior.
    GD001914.jpg
  • In the approaching dark of heavy rain clouds and a biting cold wind, the beautiful and enticing ridge-walk from Pen yr Helgi Du received an unexpected burst of sunlight along its length.<br />
<br />
We debated all the way to its steep northern ascent, but then the heavens opened and we realised we had been very wise to ignore the siren’s call as we headed down to the dark lake in torrential, skin-soaking rain. Even the Gore-Tex rainwear failed in these conditions and we still only just made the van before complete darkness.<br />
<br />
What has always struck me when looking at this photograph, is just how skin-like the hillside appears, like the hide of a huge animal. When you think of just how thin the ‘living surface’ above mountains of solid rock actually is then, effectively, it is just a ‘skin’ which will be affected by the weather and which will change appearance and colour constantly over time.
    GD000970.jpg
  • Nominated in 10th (2017) International Colour Awards (Nature category) <br />
<br />
"This is from a series I was working on, looking at the amazing shapes created by the force of the wind. Here at Llanddwyn where the dunes face the endless breeze from the Irish Sea, spectacular circular shapes can be found carved into the sandy hills. The light is characteristic of this area, with dark clouds over the mountains and occasional brilliant sunshine bouncing off the surface of the sea. It’s wild and elemental but always captivating”
    GD000729.jpg
  • Varied rock colours in a the fast flowing river of the Afon Glasyn in the Nant Glaslyn Pass near Beddgelert, Snowdonia. This river flows directly from the lake below Snowdon's summit.
    GD000321.jpg
  • Away from the burn of the weak sunset over the Irish Sea, campion blew gently in the breeze and colour-matched clouds patterned the delicate sky. It was as if a scene from a Ladybird book, pastel paintings of rural landscape where even the ancient burial mound was a scene of beauty and serenity.
    GD002381.jpg
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Glyn Davies, Professional Photographer and Gallery

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