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  • Marchlyn Mawr, nestling below the rocky mountain of Elidir Fawr, with Mynydd Perfdd on the far side, is the upper lake providing the water source for the Hydro Electric Power Station in the valley below. This water can be released in less than a minute when the UN grid needs an urgent  energy boost, and is pumped up during off peak cheaper times at night, from the lake of Llyn Dinas in the Llanberis Pass.
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  • A large sea with a long range swell slammed the seafront at Trearddur Bay at the end of November. Cars parked in the car park were literally covered in wave after huge wave - and pebbles! I shot from within the van for there was also torrential rain and swirling sea spray everywhere. These were some of the biggest wave crashes I'd personally witnessed here at Trearddur, though I'm sure there must be loads more occasions like this.
    GD001353.jpg
  • Marchlyn Mawr, nestling below the rocky mountain of Elidir Fawr, with Mynydd Perfdd on the far side, is the upper lake providing the water source for the Hydro Electric Power Station in the valley below. This water can be released in less than a minute when the UN grid needs an urgent  energy boost, and is pumped up during off peak cheaper times at night, from the lake of Llyn Dinas in the Llanberis Pass.
    GD001040.jpg
  • Huge Atlantic waves roll in from the West and rear up over the reef at Cape Cornwall near St Just, Penwith, South West Cornwall. These waves were approximatey twenty feet tall and absolutely packed with ocean energy. White horses can clearly be seen in these gigantic walls of water.
    GD001878.jpg
  • Huge Atlantic waves roll in from the West and rear up over the reef at Cape Cornwall near St Just, Penwith, South West Cornwall. These waves were approximatey twenty feet tall and absolutely packed with ocean energy. White horses can clearly be seen in these gigantic walls of water.
    GD001879.jpg
  • Huge Atlantic waves roll in from the West and rear up over the reef at Cape Cornwall near St Just, Penwith, South West Cornwall. These waves were approximatey twenty feet tall and absolutely packed with ocean energy. White horses can clearly be seen in these gigantic walls of water.
    GD001877.jpg
  • Huge Atlantic waves roll in from the West and rear up over the reef at Cape Cornwall near St Just, Penwith, South West Cornwall. These waves were approximatey twenty feet tall and absolutely packed with ocean energy. White horses can clearly be seen in these gigantic walls of water.
    GD001876.jpg
  • Powerful waves slammed against the cliffs at Porth Chapel as set after set came rolling in. It’s hard to convey the size of these waves without human scale, but imagine 3 adults standing on top of each other on that wave smashed rock, and it gives you some idea!
    GD001989.jpg
  • Wonderful light over the hills and reservoir of Llyn Marchlyn Mawr. At times of hugh demand the water from the reservoir storms the turbines in the HEP power station below generating huge quantities of electricty in just s few seconds. I’ve always found it strange standing next to the small, silent lake, the amount of noise and energy it’s able to create at a moments notice.
    GD002322.jpg
  • It struck me as funny how the sea seems relatively impotent UNTIL the wave reaches the shoreline then unloads all of it' power vertically ! In this shot I am fascinated by the potent energy of the ocean beyond, as the out of focus wave is just one of many exploding at the coast.
    GD001090.jpg
  • Porth Oer / Whistling Sands in incredible storm conditions<br />
<br />
Available as unlimited A3 & A4 prints only
    GD000084.jpg
  • Huge wake from the twin engines of a powerful Severn Class lifeboat as it powers back into Holyhead Harbour from the South Stack lighthouse on Holy Island, Anglesey, in morning light with sunshine and fluffy white clouds and a calm sea.
    GD001434.jpg
  • Huge wake from the twin engines of a powerful Severn Class lifeboat as it powers back into Holyhead Harbour from the South Stack lighthouse on Holy Island, Anglesey, in morning light with sunshine and fluffy white clouds and a calm sea.
    GD001433.jpg
  • Christmas Day 2011 - instead of pigging out on Christmas dinners and excesses of booze, I did a two hour cliff walk on North Anglesey, and battled with massive buffeting gusts of wind blowing off the Irish Sea, and sea spray sweeping over the headlands. I found a partly sheltered cove in which to eat cheese sarnies and a mince pie, washed down with hot coffee. Amazingly the rain held off for the whole walk which was fortunate but I also saw some of the only glimpses of sunshine in North Wales that day, which backlit the huge seas crashing against the Anglesey cliffs.
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  • Behind an old watermill, sits the huge Wylfa Magnox nuclear power station. It is situated close to Cemaes Bay on the North of the island of Anglesey, North Wales. Its location on the coast provides a cooling source for its operation. It is the world's oldest nuclear power station and became operational in 1971
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  • The biggest waves I've personally ever seen at Porth Tyn Tywyn and I have walked, swam and surfed there many 100s of times over the last 20 years.<br />
<br />
On this particular morning I had gone there with the idea of body boarding what was reported to be a brilliant swell for Anglesey. The day was clear with a strong offshore wind and just a few rapidly clouds. I parked up overlooking the dunes and the sea beyond and I could already see wave tips higher than the dunes (foreshortened perspective of course) and I knew it was going off! I walked down to the reef and two surfers were being thrown about in the white water before finally getting out to the back where a strong rip was pushing them Southwards towards the bay of the burial mound, Barclodiad y Gawres. It was funny in a way watching these guys go for the surf but spend so much time just trying to keep parallel to the shore. At this point, I just knew that I was not going in! I have not body-boarded seriously for years and having had a bit of an epic attempt at Sennen in Cornwall in January in big seas it was all too intimidating for this surf-unfit body !<br />
<br />
Of course the upside to that decision is that I could guilt-freely enjoy taking pictures of the surf instead and it was just so beautiful and powerful to watch. Thankfully the offshore breeze was keeping most of the sea-spray off my lens for a change meaning that I could continue to shoot without minute-apart lens cleans. <br />
<br />
The light on the sea in the bay was sharp and intense, and the lips of the waves were backlit and sparkling against the darker sky in the background. I enjoyed studying the bands of light and dark as they created monochrome Rothko seas, large ocean canvases of abstract landscape. After an hour or more of outgoing tide, the waves noticeably reduced in height to the point where perhaps I could have gone in, but with a full CF disc I decided to head for hot coffee back in the gallery instead - wrong decision ? Probably ! :-)
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  • Available unlimited A1, A2, A3 & A4 prints<br />
<br />
One of a short series of images taken on a stormy winter evening. The storm was burning out but huge waves continued to batter the west coast of Anglesey. As the sun got lower in the sky, it back-lit the wave crests and spray from crashing waves. I huddled in the rocks at wave level to prevent the strong winds from blowing my camera lens away from the shot. The salt covered everything but it was a stunning and elemental opportunity.
    GD000409.jpg
  • January 2004, Big seas lashed the west coast of Anglesey, and strong waves pushed their way into the small cove at Porth Nobla, under the ancient burial mound of Barclodiad y Gawres.
    GD000092.jpg
  • Christmas Day 2011 - instead of pigging out on Christmas dinners and excesses of booze, I did a two hour cliff walk on North Anglesey, and battled with massive buffeting gusts of wind blowing off the Irish Sea, and sea spray sweeping over the headlands. I found a partly sheltered cove in which to eat cheese sarnies and a mince pie, washed down with hot coffee. Amazingly the rain held off for the whole walk which was fortunate but I also saw some of the only glimpses of sunshine in North Wales that day, which backlit the huge seas crashing against the Anglesey cliffs.
    GD001362.jpg
  • Storm waves batter the West coast of Anglesey near Cable Bay and Rhosneigr. It is rare for such large waves to hit this coast which did create a spectacle.<br />
 The burial mound (looks like a small hill) of Barclodiad y Gawres can be seen in the background <br />
<br />
The biggest waves I've personally ever seen at Porth Tyn Tywyn and I have walked, swam and surfed there many 100s of times over the last 20 years.<br />
<br />
On this particular morning I had gone there with the idea of body boarding what was reported to be a brilliant swell for Anglesey. The day was clear with a strong offshore wind and just a few rapidly clouds. I parked up overlooking the dunes and the sea beyond and I could already see wave tips higher than the dunes (foreshortened perspective of course) and I knew it was going off! I walked down to the reef and two surfers were being thrown about in the white water before finally getting out to the back where a strong rip was pushing them Southwards towards the bay of the burial mound, Barclodiad y Gawres. It was funny in a way watching these guys go for the surf but spend so much time just trying to keep parallel to the shore. At this point, I just knew that I was not going in! I have not body-boarded seriously for years and having had a bit of an epic attempt at Sennen in Cornwall in January in big seas it was all too intimidating for this surf-unfit body !<br />
<br />
Of course the upside to that decision is that I could guilt-freely enjoy taking pictures of the surf instead and it was just so beautiful and powerful to watch. Thankfully the offshore breeze was keeping most of the sea-spray off my lens for a change meaning that I could continue to shoot without minute-apart lens cleans. <br />
<br />
The light on the sea in the bay was sharp and intense, and the lips of the waves were backlit and sparkling against the darker sky in the background. I enjoyed studying the bands of light and dark as they created monochrome Rothko seas, large ocean canvases of abstract landscape. After an hour or
    GD001720.jpg
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  • This was my first trip to the States and almost everything about it reminded me of movies I’ve seen and picture books I’ve looked through over the years. It felt quite unlike others places I’ve been to in the world, not so much because of the landscape itself, but the way in which humans have tried to utilise the landscape and overcome living in such vast open lands. I was fascinated by sudden appearance of man made objects in the middle of grassland desert that stretched for thousands of acres.
    GD002423.jpg
  • International Color Awards 2016 - Nominee in "People" category<br />
<br />
Even in the height of the summer, the weather and light in Cornwall can be dramatic and changeable. Huge seas battered the coast and pounded over the small quay wall at Sennen Cove. In some ways understandably, another visitor cheesed off with the lack of summer weather decided to enjoy the bracing Cornish waters anyway, much to the amusement if slight disbelief of the crowds of onlookers :-)
    GD001229.jpg
  • This is the upper lake just below the summit of Elidir Fawr, which is streamed into huge pipes which feed the 4 turbines in the power station 500 meters below. The water is pumped back up at night when demand is low and pumping costs are least.
    GD001936.jpg
  • A tallship passes Crosby Beach into the Irish Sea, after leaving Liverpool on the river Mersey.
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  • Nominee in the 'Nature' category of the 2019, International 14th Black & White Spider Awards <br />
<br />
"In brilliant sunlight over a Cornish beach, the changing weather brought huge towering cumulonimbus clouds across the horizon. The rapidly changing and convecting clouds were accompanied by the operatic melodies of a Gilbert & Sullivan Opera, Ruddigore, being rehearsed at the nearby cliff top open air theatre - quite surreal !"
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  • SUN28 Shot Up North Awards winning entry (2016)<br />
<br />
International Colour Awards 2015 - Nominee in "Nature" category<br />
<br />
“Early morning light passes through choppy Atlantic waves wrapping around me on this steeply shelving beach in South West Cornwall. It gives the impression of being underwater whilst the waves crash above the surface”<br />
.<br />
I’ve been back to this beach many times and haven’t been able to shoot anything like it again. I was completely alone on the beach and the sea was choppy and the waves powerful. This is the most amazing naturist beach I’ve ever been to in the world, so as is only right and correct, I was in my birthday suit as I took this!<br />
.<br />
I was using a heavy Canon 1DsMk3 and 100-400 mm lens to get this shot, nearly £7K of gear in the Atlantic ocean! What would have looked really crazy from the cliff-top was a little naked Jack-in-the-Box crouching down at the lowest point of a sand-cusp to shoot through huge waves as they rose in front of him, and then him standing up rapidly to keep the camera clear of the back-wash which went ribs-high trying to pull him back out to sea! This was one of my craziest shoots ever, but I am delighted with the result and yes this IS my all time favourite and I have No.1 of 10 hanging in my home.
    GD001479.jpg
  • Gigantic Atlantic storm waves crash over the reef at Cape Cornwall near St Just, backlit by early morning sunlight. The sound of the sea was deafening and relentless and my camera lens needed cleaning every few seconds, covered as it was by soft spray that blew over 100 ft into the air
    GD001385.jpg
  • Huge Atlantic waves roll in at Porthcurno Beach in West Cornwall.  I took this photo from the steps of the Minack Theatre built into the cliffs above this yellow sand cove. The last of the evening light can be seen on the sea surface as the white horse gallop into shadows nearer the shore.   The waves were powerful and the water crystal clear as always here, and the title and metaphor matched exactly what was going on in my mind at the time.
    GD001565.jpg
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  • Gigantic Atlantic storm waves crash over the reef at Cape Cornwall near St Just, backlit by early morning sunlight. The sound of the sea was deafening and relentless and my camera lens needed cleaning every few seconds, covered as it was by soft spray that blew over 100 ft into the air
    GD001386.jpg
  • The ladder is utilitarian, it has a purpose for any sailor who uses the breakwater but nevertheless, it's iron strength and rusty bolts pale into insignificance when the juggernaut Atlantic waves coming knocking at the door. It just looks so incongruous in these conditions!
    GD001260.jpg
  • We may not have had the week of baking sunshine and relaxing swimming but from a photography perspective the gales and storms brought superb conditions and lighting. The jetty at Sennen always takes a pounding from the Atlantic but the golden evening sunshine disguised the awesome power of the Atlantic swell.
    GD001080.jpg
  • A container ship passes Crosby Beach into the Irish Sea, after leaving Liverpool on the river Mersey.  Two sculptures by the artist Sir Antony Mark David Gormley, OBE look on, positined as they are for his landscape artwork, "Another Place"
    GD002037.jpg
  • Longships Lighthouse & huge surf off Land’s End, Cornwall
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  • A couple walking their dog in early summer heat at Crosby Beach, Liverpool.
    GD002036.jpg
  • "In a way, this was ALL about the sea, the waves and movement, the sky played the role of illuminator only. I became transfixed by the recurring rhythms which occur where waves meet shore.<br />
<br />
At first there is the obvious repetition of waves reaching the shore and dumping their energy. Then there is the apparent chaos of individual waves, which never form the same shapes, height or angle. But then, especially when using a slightly slower shutter speed on the camera, it’s possible to clarify just how much underlying consistency of rhythm there is below the choppy surface, influenced by the shape of the beach in relation to the speed and direction of the waves.<br />
<br />
Although large sweeps of watery sheets seem to slide at all angles over the shore, certain strong lines of confluence emerge, where bodies of water meet bodies of water and the energy is consistently channelled in one direction, like standing waves. On what had been a solitary, dreary afternoon of being out just for fresh air, I had become extremely excited by my heightened awareness of rhythm within chaos, and I may now be able to use that to create perspective in everyday life!"
    GD001419.jpg
  • Though the sea never looked tumultuous and the swell height was rarely over two foot, the power of the explosion as the swell hit the rocks continued to surprise me. The stored energy in the waves was suddenly released on obstructions, rather than dissipated across long shallow beaches. In this shot, I love the way the wave appears to blend with the cliff and rise up to the cliff top. I always enjoy being on the beach after being in the mountains. I need to see the movement of the waves and hear their crash on the shore. Landscape always seems so much more vibrant on the coast.
    GD000789.jpg
  • Already feeling lucky having driven to the beach in dull weather, and finding the sun had broken through, I spent ages absorbing myself with the foreshore. For the first time this year I found myself standing thigh high in in the Irish Sea at dusk, each wave caressing my skin as I concentrated on the miraculous and heavenly scenes unfolding before me. The cool water started to feel warm and the movement of energy launched my mind to the Summer ahead. I hadn’t even noticed the moon overhead at first, but I caught it glinting in the corner of my eye and the whole euphoria of simply being alive was overwhelming.
    GD002041.jpg
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  • En route to an afternoon in the Welsh hills, I stopped off to check the state of the snow, and just loved the light over the Strait, and in particular the way it highlighted Ynys Gorad Goch. Having just absorbed the view for a few minutes, it changed my mind from walking Drosgl, to walking Moel Eilio and Foel Goch instead ! :-)
    GD001394.jpg
  • It was a calm, silvery sea at dusk. There was hardy a drop of wind and the air, for April, was warm enough. It was near silent on the beach, just the distant voices of a couple walking in the dunes behind. <br />
<br />
I’d hoped the sun would have been a little more intense having raced across Anglesey to get to the beach, but everything was delicate and muted. From the sea bed, remnants of energy pulses from ocean storms thousands of miles away finally reared up and gasped a last breath on the shingle shore. <br />
<br />
I stood on some low rocks at the waterline and watched the sea tide slowly come in around me. Every so often a rogue bigger wave would crash over the rock and I’d lose sight of my feet in the white foam. Against the brighter surface of the sea, these little hillocks of water looked dark in their own shadows.
    GD002184.jpg
  • Already feeling lucky having driven to the beach in dull weather, and finding the sun had broken through, I spent ages absorbing myself with the foreshore. For the first time this year I found myself standing thigh high in in the Irish Sea at dusk, each wave caressing my skin as I concentrated on the miraculous and heavenly scenes unfolding before me. The cool water started to feel warm and the movement of energy launched my mind to the Summer ahead.
    GD002042.jpg
  • This is the surge pool cut into the opposite hillside of Elidir Fawr. It is a huge water column which drops down to the Hydro Electric Power Station below. When they shut down the turbines the gigantic volume of water that has been flowing into them 'backs up' and the the energy needs releasing. The water column does just that. It is security protected by CCTV & fences as dropping a large object into the column would lead direct to the turbines.
    GD001590.jpg
  • An ocean swell only shows it's energy as it reaches the shoreline and wraps around a swimming platform on the shore of Playa Blanca in Lanzarote in the Canary Islands. The aquamarine sea is crystal clear and you can see the reef beneath. Lobos Island and Fuerteventura can be see on on the horizon.
    GD001789.jpg
  • "She was in that state between deep sleep and first opening of the eyes. She was resting in a remote cove and the early morning sunlight spilled over the headland and across her figure. Even for a mermaid the warm sunshine is always welcome and she could feel its life giving energy as she stirred"
    GD002159.jpg
  • Selected Print for the IN:SIGHT (Washington Green) New Artists Competition 2015<br />
<br />
Nominee in 10th Annual Black & White Spider Awards<br />
<br />
"The woman stood motionless, or so it seemed, her feet slowly sinking into the sticky black leaf litter below the surface. There was hardly a breeze, no movement, just the occasional chirp from the Summer’s last Swallow, breaking the silence at this mountain lake. But when you look closely, you see ripples oscillating away from the woman’s body, continuing almost imperceptibly across the lake. Her energy, her life force was affecting the landscape in a clearly visible, tangible way, utter connection between our living organic form and the earth we come from.”
    Swallowed by the Lake
  • In this variation of 'the beginning', a unique and isolated woman is powerful, assured in her sense of place and happy with her life.<br />
<br />
The man is alone too, existing rather than living. The realisation that he is suddenly not alone intrigues him. He is captivated by the idea of someone to share his world. He struggles up the constantly shifting sand, one step up, two steps back, focussed upon reaching, touching, understanding this strange, beautiful being above him who embraced the elements. <br />
<br />
She absorbs the natural energy and revels in the spirit of her environment, but he finds purpose in his life and will tenaciously overcome anything to make connection with her. Together, although they don’t know it yet, they will be as one, a perfect balance of wisdom, spirituality, tenacity, compassion, affection and emotional need for each other. They will feel love and will have found a new purpose for living. What they instil in their new creation, will determine a parallel world to that in which we now exist, a better world. <br />
<br />
"Landscape Figures" explores the relationship between organic human figures and a notional 'wild landscape'.
    The Approach
  • This is the upper lake just below the summit of Elidir Fawr, which is streamed into huge pipes which feed the 4 turbines in the power station 500 meters below. The water is pumped back up at night when demand is low and pumping costs are least.
    GD001373.jpg
  • "She was in that state between deep sleep and first opening of the eyes. She was resting in a remote cove and the early morning sunlight spilled over the headland and across her figure. Even for a mermaid the warm sunshine is always welcome and she could feel its life giving energy as she stirred"
    GD002195.jpg
  • A tree torn from the ground became a vessel on the ocean, before being left high and dry on a Spring tide. The roots that anchored this living organism, that kept it upright and strong are now just a twisted mass of dead truncated limbs but this once was a thing of great beauty. She lay supine across it’s lifeless trunk, feeling the still coarse bark pressing into her living flesh, creating sensation long after it's death. Her own feet touched the soft grass and she felt the breeze ruffling her long hair. The wood was warm, heated by the same sunshine that bathed her own torso; life and death sharing the same light; the same energy; the same space and with their limbs intertwined, almost the same form.
    Morpheus Dream
  • The air was warm but the sea was cool. A weak sunburst gently broke through the gloom on the horizon. There was hardly a drop of wind over the calm green sea so the wave surfaces were smooth and glassy. <br />
<br />
There were a handful of motionless, statue-like figures at the water’s edge, small posts of resistance against the incoming tide, but one woman stood out. She was beautiful; lightly tanned skin; petite but womanly figure; long, wet, bedraggled hair and clearly the most youthful of shoreline sculptures. Her head was tilted backwards so she could neither see behind her, nor me watching. I noticed an almost imperceptible tremble in her limbs as the wave energy approached her. Involuntarily her figure lifted as she rose to her feet whilst the wave wrapped higher around her legs, from calves, to thighs to buttocks - her arms tensed, balancing herself but also in defiance of the coolness of the water engulfing her body. As the wave fizzled on the sandy shoreline her body relaxed once more, before repeating the process. We often fear what we can’t see, but so often the unexpected can bring delight, excitement and the thrill of the new; of being alive and connected to the earth and water.<br />
<br />
From my "Landscape Figures" project
    GD001412.jpg
  • Nominated image in the 13th Black & White Spider Awards 2018<br />
<br />
The early morning light shimmered off the wet sands of the estuary. Noisy waders skimmed over the wide flats in the hunt for feeding grounds. Dark clouds brewed ominously on the horizon behind us and gathered slowly over the mountain peaks.<br />
.<br />
The woman had walked towards me from the distant sand dunes, aware that the tide was rising rapidly, flooding the expanse of the bay behind her. She stood at the water’s edge, long grasses puncturing the the smooth mirror rising around her. She felt the first chill of the breeze from the weather front and clasped herself, yet the sea was still warm after summer rays. She gently, though purposefully stirred the water with her feet, crossing one leg in front of the other as she did so, enjoying the sensation of liquid resistance against her skin. I studied the ripples flowing away from her, small waves of her spiritual energy connecting with me and the shoreline. As the tide rose to her thighs the mud softened beneath her. Under now darkening skies she continued on her journey, passing me by and heading for the sheltered woodland behind me.<br />
<br />
Taken whilst being filmed for the ITV series ‘The Strait’ being broadcast from 5th January 2018
    Gently Stirring the Tide
  • International MONO Awards 2014 - Honourable Mention <br />
<br />
No one could see her, and she could see no one. Fog shrouded the open hilltop, soaking the grass and the heather. She relished the feeling of the cool vapour circling her body and she noticed only the gentle light from above.<br />
<br />
Invisible within her elemental cloak of privacy, she felt an overwhelming sense of abandonment, a freedom to be herself. She wanted to dance naked and call into the void. At first she stretched, slowly and tentatively but the energy inside was bursting.<br />
<br />
She extended herself to the limit, her fingertips measuring the breeze. She gracefully twisted her torso clockwise then anticlockwise and then leant backwards as far as she could, enjoying the sensation of her flexing muscles, supportive and strong.<br />
<br />
She gently rose onto tiptoes and in a moment of euphoric liberation, sprang into the air, kicking out her feet and screamed into the weather. She felt more alive than ever.
    Mist Opportunity
  • "I couldn’t work out what was happening. I wasn’t sure whether she had been injured; was being rescued; had died or was being sacrificed! Whatever their purpose, his task was formidable carrying a seemingly lifeless figure up a steep mountain of sharp, rough rock, the sun blazing on his back and every boulder an energy-sapping obstacle to his final goal. It has always intrigued me, that as we go about our own daily lives, often worrying about one thing or another, that other people face their own huge challenges both emotional and physical, that often go unrecognised or appreciated by the rest of society. I just happened to be there at the time to witness this journey of the couple and I just hope the woman was okay. I shouted up to ask if they wanted help but he was oblivious to my call and seemed full of personal intent anyway"
    Ascension
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Glyn Davies, Professional Photographer and Gallery

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