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  • A blonde woman relaxing on a golden yellow sandy beach in the summer at Caneiros, Algarve, Portugal, watching the Atlantic waves crash on the shoreline with a limestone sea stack in the distance.
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  • It was quite a surprise to see that the huge crescent shaped steps at Liverpool One, had been ‘greened’. I loved it. It was now a huge interactive artwork sculpture and it softened the acres of concrete and brick in this modern urban environment.<br />
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OK, it’s not real grass, and this is miles from nature, but I was surprised at how easily I accepted it, and wanted to go and sit on the steps with everyone else and feel a sense of relief from concrete surroundings.
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  • The air was warm but the sea was cool. A weak sunburst gently broke through the gloom on the horizon. There was hardly a drop of wind over the calm green sea so the wave surfaces were smooth and glassy. <br />
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There were a handful of motionless, statue-like figures at the water’s edge, small posts of resistance against the incoming tide, but one woman stood out. She was beautiful; lightly tanned skin; petite but womanly figure; long, wet, bedraggled hair and clearly the most youthful of shoreline sculptures. Her head was tilted backwards so she could neither see behind her, nor me watching. I noticed an almost imperceptible tremble in her limbs as the wave energy approached her. Involuntarily her figure lifted as she rose to her feet whilst the wave wrapped higher around her legs, from calves, to thighs to buttocks - her arms tensed, balancing herself but also in defiance of the coolness of the water engulfing her body. As the wave fizzled on the sandy shoreline her body relaxed once more, before repeating the process. We often fear what we can’t see, but so often the unexpected can bring delight, excitement and the thrill of the new; of being alive and connected to the earth and water.<br />
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From my "Landscape Figures" project
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  • We may not have had the week of baking sunshine and relaxing swimming but from a photography perspective the gales and storms brought superb conditions and lighting. The jetty at Sennen always takes a pounding from the Atlantic but the golden evening sunshine disguised the awesome power of the Atlantic swell.
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  • The first day of the new year, the first day of the new decade! After a lazy start, relaxing in bed, drinking fresh coffee whilst sunshine poured through the window, we decided to make the most of the beautiful conditions and get a walk in. <br />
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We drove to the Great Orme to maximise exposure to the New Year’s sunshine and scrambled up through the limestone buttresses to reach the summit. The views back across to Snowdonia were stunning, the huge mountains just stopped at the sea and looked more reminiscent of some Greek islands than the Welsh coast. The sea was so calm and the tiny yacht making its way out of the Conwy estuary helped to describe just how huge and magnificent everything looked. <br />
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In terms of climate disaster and self-interested politics worldwide we are in such frightening times, but today’s conditions at the start of the new decade, infused us both with a small dose of happiness and positivity that I hope to God we can still find more of over the next few years.
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  • Not normally a fan of photographing sunsets, but the high viewpoint over the bay, the calm sea and the beautiful natural golden colours were too irresistible to avoid. Very relaxing and meditative to watch as the sun dipped lower.
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  • Nominated in 10th (2017) International Colour Awards (Nude category) <br />
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“It was dusk and a gentle mist hung in the valleys, illuminated only by the last glimmer of Autumnal daylight. There was delicate moisture in the air and a slight dampness on the short grass surrounding the rock. Rich, earthy smells surrounded me, from the bracken and ancient woodland adjacent to the outcrop. Above the sound of a gurgling brook I could hear a thrush singing somewhere in the distance. Apart from that there was relative silence; no cars, no planes, no groups of chatty ‘ramblers on a mission’, just me in what felt like a lost valley. I was alone and had found perfect solitude. <br />
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I enjoyed the feeling of the cool, almost prickly, sheep-mown grass on the soles of my feet, but the rock was warm having basked during a day of unbroken sunshine under clear blue skies.  Although the rocky outcrop looked smooth from a distance it was rough beneath my skin, making my body feel vulnerable to its sharp surface. I enjoyed the sensation nevertheless, feeling utterly and intimately connected to ‘my’ rock, a rock carved by glaciers millions of years ago, scratched and smoothed by the weight of ice, but today it was just me, an insignificant speck on the planet. Yet the planet means everything to me; I feel it, see it, and hear it. It provides for me, nourishes me and I am a part of it nevertheless. <br />
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As the melody of the Song Thrush drifted away, I lay relaxed, supine, as much of my skin surface in contact with the rock as I could manage, facing the darkening universe above. The rock supported me, it seemed as if the Earth itself was carrying me, a fragile, perishable organic figure, exposed to the air and the elements but wonderfully connected to the land"
    Then Came Autumn
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Glyn Davies, Professional Photographer and Gallery

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